The Coconut Teaszer

Fais Do Do

Fais Do Do was an East. L.A. music venue that hosted the final night of Scutterfest 2002, a music festival formed out of the punk rock queer zine Scutter. Scutter was self-published by Chicano queer and Los Angeles native Rudy Bleu, who formed the magazine to create a relatable space for other queer people of the punk rock scene.

The Smell

The Smell is a famously all-ages LGBT-friendly music venue with a legacy of hosting queercore performers since its opening in 1998. Queercore, not exactly a subgenre of punk, but rather a divergent response to the sexism and homophobia of the punk scene, sought to not only dismantle these prejudices amidst the punk scene but also speak out against the growing conservatism of the gay and lesbian mainstream.

Al’s Bar

Located at the American Hotel, Al's Bar was a hotspot for downtown Los Angeles' art and music scenes. At the time of its closing in 2001, Al's Bar was known as Los Angeles' oldest punk club. Bands and singers that played there over the years included: Beck, DNA/Arto Lindsay, Ry Cooder, The Fall, Fear, Hole, Hüsker Dü, Imperial Butt Wizards, Los Lobos, Social Distortion, Mighty Joe Young, Nirvana, The Party Boys, The Residents, Sonic Youth, Urge Overkill, Wall of Voodoo, and Dwight Yoakam.

Vex

Vex is a venue famous for being a hotspot for Latinx members of the punk scene, particularly during the Chicano punk movement of the late 1970s. Queercore, not exactly a subgenre of punk, but rather a divergent response to the sexism and homophobia of the punk scene, sought to not only dismantle these prejudices amidst the punk scene but also speak out against the growing conservatism of the gay and lesbian mainstream.

Mr. T’s Bowl

Abstract

Mr. T's Bowl was a venue notably used to host queercore punk bands during the 2002 first installment of the zine-inspired music festival, Scutterfest.

Vex

Abstract

Vex is a venue famous for being a hotspot for Latinx members of the punk scene, particularly during the Chicano punk movement of the late 1970s. Queercore, not exactly a subgenre of punk, but rather a divergent response to the sexism and homophobia of the punk scene, sought to not only dismantle these prejudices amidst the punk scene but also speak out against the growing conservatism of the gay and lesbian mainstream. 

California Chicanx Punk Biography: Los Illegals The Vex and Chicano Punk: A Very Brief History

Al’s Bar

Abstract

Located at the American Hotel, Al's Bar was a hotspot for downtown Los Angeles' art and music scenes. At the time of its closing in 2001, Al's Bar was known as Los Angeles' oldest punk club. Bands and singers that played there over the years included: Beck, DNA/Arto Lindsay, Ry Cooder, The Fall, Fear, Hole, Hüsker Dü, Imperial Butt Wizards, Los Lobos, Social Distortion, Mighty Joe Young, Nirvana, The Party Boys, The Residents, Sonic Youth, Urge Overkill, Wall of Voodoo, and Dwight Yoakam.  

Flyer Advertising the One-Year Anniversary of Red Hot Chili Peppers Performing … Daily Trojan, September 14, 1988 - Changes to Al's Bar Lineup

Mr. T’s Bowl

Mr. T's Bowl was a venue notably used to host queercore punk bands during the 2002 first installment of the zine-inspired music festival, Scutterfest. 

Abstract

The Coconut Teaszer was a Hollywood nightclub known for hosting a weekly after-hours club that offered a performance platform for queer Chicanx punk bands from 1992-2003.

L.A. Nightlife Gone: Does Your Mama Know? 1992–2003

The Gauntlet

The Gauntlet II was a leather bar that notably hosted queercore showcase "The Freak Show" and welcomed queercore bands throughout LA to perform as regulars. Queercore, not exactly a subgenre of punk, but rather a divergent response to the sexism and homophobia of the punk scene, sought to not only dismantle these prejudices amidst the punk scene but also speak out against the growing conservatism of the gay and lesbian mainstream. 

The Smell

Abstract

The Smell is a famously all-ages LGBT-friendly music venue with a legacy of hosting queercore performers since its opening in 1998. Queercore, not exactly a subgenre of punk, but rather a divergent response to the sexism and homophobia of the punk scene, sought to not only dismantle these prejudices amidst the punk scene but also speak out against the growing conservatism of the gay and lesbian mainstream. 

Much More Than a DIY Haven, The Smell Is One of LA’s Most Queer-Friendly Spaces

Fais Do Do

Abstract

Fais Do Do was an East. L.A. music venue that hosted the final night of Scutterfest 2002, a music festival formed out of the punk rock queer zine Scutter. Scutter was self-published by Chicano queer and Los Angeles native Rudy Bleu, who formed the magazine to create a relatable space for other queer people of the punk rock scene. 

Gauntlet

Abstract

The Gauntlet II was a leather bar that notably hosted queercore showcase "The Freak Show" and welcomed queercore bands throughout LA to perform as regulars. Queercore, not exactly a subgenre of punk, but rather a divergent response to the sexism and homophobia of the punk scene, sought to not only dismantle these prejudices amidst the punk scene but also speak out against the growing conservatism of the gay and lesbian mainstream.

The Coconut Teaszer